Marcus’ dozen or so plays, some of which were co-written with friends and colleagues, include Winners and Losers, Leftovers, Jabber, How Has My Love Affected You?, Ali & Ali and the aXes of Evil, Everyone, 3299: Forms in Order, Adrift, Peter Panties, Chloe’s Choice and A Line in the Sand. Though widely varied in terms of style and content, they often in some way investigate fundamental questions of difference or “otherness.” They have been performed at theatres and festivals (and school gyms) across Canada, the US, Australia and Europe, including: the Dublin Theatre Festival, Soho Rep (Off-Broadway), Festival Trans Ameriques, PuSh Festival (four times), Foreign Affairs (Berlin), the Brighton Festival (UK), LOKAL (Reykjavik), the Vancouver Art Gallery, Canadian Stage, Wooly Mammoth and the Kennedy Centre (Washington, DC), Tarragon, Factory, the Caravan Farm Theatre, the Arts Club, the Citadel, Noorderzon (Netherlands), Ca Foscari (Venice), Brno Festival (Czech), Aarhus Festival (Denmark), On the Boards (Seattle) the Magnetic North Festival (five times), and many others. Marcus’ work has been translated into multiple languages and is published by both Talonbooks and Playwrights Canada Press. He is the recipient of more than a dozen national and international awards, including the Chalmer’s Canadian Play Award, the Rio-Tinto Alcan Performing Arts Award, the Seattle Times Footlight Award, the Vancouver Critics’ Innovation Award (three times), a Governor General’s Award nomination, as well as multiple local awards and nominations in Vancouver, Toronto and Montreal. He has been playwright in residence at the Banff Centre, the National Theatre School, Neworld, and Touchstone Theatre. Currently Marcus is an editorial advisor to Canadian Theatre Review, Senior Playwright in Residence at the Banff Centre for Arts and Creativity, and a Canadian Fellow to the International Society of Performing Arts.